Statement By examine Richard Haas’ mural between 1970s to 1990s in the context of postmodernism, I try to answer the following question, what is the value of mural painting when the essence of its architectural canvas –presumed rational value of structures, representations, methodologies of origins and ends, and deductive process - has been shown to be a simulacrum? The paper argued that Haas’ mural, as a dis-simulacrum, leaves untouched difference between reality and illusion. His work exposed the lost ... |